Portal:The arts

Page semi-protected
From Wikipedia, the free encyclopedia

Portal topics
Activities
Culture
Geography
Health
History
Mathematics
Nature
People
Philosophy
Religion
Society
Technology
Random portal
edit 

T H E   A R T S   P O R T A L

The arts are a wide range of human practices of creative expression, storytelling, and cultural participation. They encompass multiple diverse and plural modes of thinking, doing, and being, in an extremely broad range of media. Both dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized, and sometimes intricate forms. This is often achieved through sustained and deliberate study, training, and/or theorizing within a particular tradition, across generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.

Prominent examples of the arts include:

They can employ skill and imagination to produce objects and performances, convey insights and experiences, and construct new environments and spaces.

The arts can refer to common, popular, or everyday practices as well as more sophisticated, systematic, or institutionalized ones. They can be discrete and self-contained or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.

As both a means of developing capacities of attention and sensitivity and as ends in themselves, the arts can simultaneously be a form of response to the world and a way that our responses and what we deem worthwhile goals or pursuits are transformed. From prehistoric cave paintings to ancient and contemporary forms of ritual to modern-day films, art has served to register, embody, and preserve our ever-shifting relationships to each other and to the world. (Full article...)

Featured articles - load new batch

  Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 BioShock 2 is a first-person shooter video game developed by 2K Marin and published by 2K Games. It was released worldwide for PlayStation 3, Windows, and Xbox 360 on February 9, 2010; Feral Interactive released an OS X version on March 30, 2012. The game takes place in the dystopian underwater city of Rapture, eight years after the events of BioShock. In the single-player campaign, players control the armored protagonist Subject Delta as he fights through Splicers—the psychotic human population of the city—using weapons and an array of genetic modifications. The game includes a story-driven multiplayer mode that takes place before the events of BioShock, during Rapture's civil war. After the success of BioShock, 2K Games formed a new studio, 2K Marin, to create the sequel. 2K Australia, Arkane Studios, and Digital Extremes provided additional support. The developers focused on improving gameplay elements from the first game, and return to the Rapture setting to explore a new perspective of the city. The story received major changes throughout development. Garry Schyman, who composed BioShock's soundtrack, returned for the sequel; he expanded the game's sonic palette to include more blues and religious music to parallel its themes. (Full article...)
    BioShock 2 is a first-person shooter video game developed by 2K Marin and published by 2K Games. It was released worldwide for PlayStation 3, Windows, and Xbox 360 on February 9, 2010; Feral Interactive released an OS X version on March 30, 2012. The game takes place in the dystopian underwater city of Rapture, eight years after the events of BioShock. In the single-player campaign, players control the armored protagonist Subject Delta as he fights through Splicers—the psychotic human population of the city—using weapons and an array of genetic modifications. The game includes a story-driven multiplayer mode that takes place before the events of BioShock, during Rapture's civil war.

    After the success of BioShock, 2K Games formed a new studio, 2K Marin, to create the sequel. 2K Australia, Arkane Studios, and Digital Extremes provided additional support. The developers focused on improving gameplay elements from the first game, and return to the Rapture setting to explore a new perspective of the city. The story received major changes throughout development. Garry Schyman, who composed BioShock's soundtrack, returned for the sequel; he expanded the game's sonic palette to include more blues and religious music to parallel its themes. (Full article...)
  • Image 2 Makinti Napanangka (c. 1930 – 9 January 2011) was a Pintupi-speaking Indigenous Australian artist from Australia's Western Desert region. She was referred to posthumously as Kumentje. The term Kumentje was used instead of her personal name as it is customary among many indigenous communities not to refer to deceased people by their original given names for some time after their deaths. She lived in the communities of Haasts Bluff, Papunya, and later at Kintore, about 50 kilometres (31 mi) north-east of the Lake MacDonald region where she was born, on the border of the Northern Territory and Western Australia. Makinti Napanangka began painting Contemporary Indigenous Australian art at Kintore in the mid-1990s, encouraged by a community art project. Interest in her work developed quickly, and she is now represented in most significant Australian public art galleries, including the National Gallery of Australia. A finalist in the 2003 Clemenger Contemporary Art Award, Makinti won the National Aboriginal & Torres Strait Islander Art Award in 2008. Her work was shown in the major indigenous art exhibition Papunya Tula: Genesis and Genius, at the Art Gallery of New South Wales. (Full article...)
    Makinti Napanangka (c. 1930 – 9 January 2011) was a Pintupi-speaking Indigenous Australian artist from Australia's Western Desert region. She was referred to posthumously as Kumentje. The term Kumentje was used instead of her personal name as it is customary among many indigenous communities not to refer to deceased people by their original given names for some time after their deaths. She lived in the communities of Haasts Bluff, Papunya, and later at Kintore, about 50 kilometres (31 mi) north-east of the Lake MacDonald region where she was born, on the border of the Northern Territory and Western Australia.

    Makinti Napanangka began painting Contemporary Indigenous Australian art at Kintore in the mid-1990s, encouraged by a community art project. Interest in her work developed quickly, and she is now represented in most significant Australian public art galleries, including the National Gallery of Australia. A finalist in the 2003 Clemenger Contemporary Art Award, Makinti won the National Aboriginal & Torres Strait Islander Art Award in 2008. Her work was shown in the major indigenous art exhibition Papunya Tula: Genesis and Genius, at the Art Gallery of New South Wales. (Full article...)
  • Image 3 The Chase is an American television quiz show adapted from the British program of the same name. It premiered on August 6, 2013, on the Game Show Network (GSN). It was hosted by Brooke Burns and featured Mark Labbett as the "chaser" (referred to on air exclusively by his nickname "The Beast"). A revival of the show premiered on January 7, 2021, on ABC. It is hosted by Sara Haines and initially featured as the chasers Jeopardy! champions James Holzhauer (who was a contestant on the GSN version), Ken Jennings, and Brad Rutter. Labbett returned as a chaser in June 2021, before stepping down in 2022 along with Jennings. In their place are Buzzy Cohen, Brandon Blackwell, and Victoria Groce. The U.S. version of the show follows the same general format as the U.K. version, but with teams of three contestants instead of four. The game is a quiz competition in which contestants attempt to win money by challenging a trivia expert known as the chaser. Each contestant participates in an individual "chase" called the Cash Builder, in which they attempt to answer as many questions as possible in 60 seconds to earn as much money as possible to contribute to a prize fund for the team. The contestant must then answer enough questions to stay ahead of the chaser in a head-to-head competition scored on a game board; otherwise, they lose their winnings and are out. The contestants who successfully complete their individual chases without being caught advance to the Final Chase, in which they answer questions as a team playing for an equal share of the prize fund accumulated throughout the episode. (Full article...)
    The Chase is an American television quiz show adapted from the British program of the same name. It premiered on August 6, 2013, on the Game Show Network (GSN). It was hosted by Brooke Burns and featured Mark Labbett as the "chaser" (referred to on air exclusively by his nickname "The Beast"). A revival of the show premiered on January 7, 2021, on ABC. It is hosted by Sara Haines and initially featured as the chasers Jeopardy! champions James Holzhauer (who was a contestant on the GSN version), Ken Jennings, and Brad Rutter. Labbett returned as a chaser in June 2021, before stepping down in 2022 along with Jennings. In their place are Buzzy Cohen, Brandon Blackwell, and Victoria Groce.

    The U.S. version of the show follows the same general format as the U.K. version, but with teams of three contestants instead of four. The game is a quiz competition in which contestants attempt to win money by challenging a trivia expert known as the chaser. Each contestant participates in an individual "chase" called the Cash Builder, in which they attempt to answer as many questions as possible in 60 seconds to earn as much money as possible to contribute to a prize fund for the team. The contestant must then answer enough questions to stay ahead of the chaser in a head-to-head competition scored on a game board; otherwise, they lose their winnings and are out. The contestants who successfully complete their individual chases without being caught advance to the Final Chase, in which they answer questions as a team playing for an equal share of the prize fund accumulated throughout the episode. (Full article...)
  • Image 4 "The Shape of Things to Come" is the 81st episode of the American Broadcasting Company's Lost and is the ninth episode of the fourth season. It aired on April 24, 2008 on ABC in the United States and on CTV in Canada. The episode was written by co-executive producer Drew Goddard and co-producer Brian K. Vaughan in late February 2008 and directed by executive producer Jack Bender in mid-March. The narrative centers on Ben Linus (played by Michael Emerson) as he and the Oceanic Airlines Flight 815 crash survivors at the Barracks come under attack in December 2004, while flashforwards to late 2005 show him recruiting Sayid Jarrah (Naveen Andrews) as a hitman and confronting his enemy Charles Widmore (Alan Dale). "The Shape of Things to Come" is one of a few Lost episodes to contain footage filmed outside Hawaii. The episode aired as the first of the second batch of fourth-season episodes that were originally planned to air uninterrupted by a hiatus with the rest of the season; however, the 100-day 2007–2008 Writers Guild of America strike paused production and caused the writers to condense the second half of the season, which aired after a four-week break. "The Shape of Things to Come" received positive critical reviews, and the original broadcast in the United States was viewed by 14 million people. Much praise was directed at Emerson's acting skills, particularly in his reaction to the execution of his character's daughter Alex (Tania Raymonde). His performance in this specific episode received a nomination for Outstanding Supporting Actor in a Drama Series for the 60th Primetime Emmy Awards; the episode was also nominated in the category of Outstanding Sound Editing for a Series. (Full article...)
    "The Shape of Things to Come" is the 81st episode of the American Broadcasting Company's Lost and is the ninth episode of the fourth season. It aired on April 24, 2008 on ABC in the United States and on CTV in Canada. The episode was written by co-executive producer Drew Goddard and co-producer Brian K. Vaughan in late February 2008 and directed by executive producer Jack Bender in mid-March. The narrative centers on Ben Linus (played by Michael Emerson) as he and the Oceanic Airlines Flight 815 crash survivors at the Barracks come under attack in December 2004, while flashforwards to late 2005 show him recruiting Sayid Jarrah (Naveen Andrews) as a hitman and confronting his enemy Charles Widmore (Alan Dale).

    "The Shape of Things to Come" is one of a few Lost episodes to contain footage filmed outside Hawaii. The episode aired as the first of the second batch of fourth-season episodes that were originally planned to air uninterrupted by a hiatus with the rest of the season; however, the 100-day 2007–2008 Writers Guild of America strike paused production and caused the writers to condense the second half of the season, which aired after a four-week break. "The Shape of Things to Come" received positive critical reviews, and the original broadcast in the United States was viewed by 14 million people. Much praise was directed at Emerson's acting skills, particularly in his reaction to the execution of his character's daughter Alex (Tania Raymonde). His performance in this specific episode received a nomination for Outstanding Supporting Actor in a Drama Series for the 60th Primetime Emmy Awards; the episode was also nominated in the category of Outstanding Sound Editing for a Series. (Full article...)
  • Image 5 The Heart of Thomas (Japanese: トーマの心臓, Hepburn: Tōma no Shinzō) is a 1974 Japanese manga series written and illustrated by Moto Hagio. Originally serialized in Shūkan Shōjo Comic, a weekly manga magazine publishing shōjo manga (manga aimed at young and adolescent women), the series follows the events at a German all-boys gymnasium following the suicide of student Thomas Werner. Hagio drew inspiration for the series from the novels of Hermann Hesse, especially Demian (1919); the Bildungsroman genre; and the 1964 film Les amitiés particulières. It is one of the earliest works of shōnen-ai, a genre of male-male romance manga aimed at a female audience. The Heart of Thomas was developed and published during a period of immense change and upheaval for shōjo manga as a medium, characterized by the emergence of new aesthetic styles and more narratively complex stories. This change came to be embodied by a new generation of shōjo manga artists collectively referred to as the Year 24 Group, of which Hagio was a member. Hagio originally developed the series as a personal project that she did not expect would ever be published. After changing publishing houses from Kodansha to Shogakukan in 1971, Hagio published a loosely-adapted one-shot (standalone single chapter) version of The Heart of Thomas titled The November Gymnasium (11月のギムナジウム, Jūichigatsu no Gimunajiumu) before publishing the full series in 1974. (Full article...)
    The Heart of Thomas (Japanese: トーマの心臓, Hepburn: Tōma no Shinzō) is a 1974 Japanese manga series written and illustrated by Moto Hagio. Originally serialized in Shūkan Shōjo Comic, a weekly manga magazine publishing shōjo manga (manga aimed at young and adolescent women), the series follows the events at a German all-boys gymnasium following the suicide of student Thomas Werner. Hagio drew inspiration for the series from the novels of Hermann Hesse, especially Demian (1919); the Bildungsroman genre; and the 1964 film Les amitiés particulières. It is one of the earliest works of shōnen-ai, a genre of male-male romance manga aimed at a female audience.

    The Heart of Thomas was developed and published during a period of immense change and upheaval for shōjo manga as a medium, characterized by the emergence of new aesthetic styles and more narratively complex stories. This change came to be embodied by a new generation of shōjo manga artists collectively referred to as the Year 24 Group, of which Hagio was a member. Hagio originally developed the series as a personal project that she did not expect would ever be published. After changing publishing houses from Kodansha to Shogakukan in 1971, Hagio published a loosely-adapted one-shot (standalone single chapter) version of The Heart of Thomas titled The November Gymnasium (11月のギムナジウム, Jūichigatsu no Gimunajiumu) before publishing the full series in 1974. (Full article...)
  • Image 6 Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir An Apology for the Life of Colley Cibber (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière [and] hapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became the chief target, the head Dunce, of Alexander Pope's satirical poem The Dunciad. (Full article...)

    Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir An Apology for the Life of Colley Cibber (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière [and] hapless Shakespeare".

    He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became the chief target, the head Dunce, of Alexander Pope's satirical poem The Dunciad. (Full article...)
  • Image 7 The Singer Building (also known as the Singer Tower) was an office building and early skyscraper in Manhattan, New York City. The headquarters of the Singer Manufacturing Company, was at the northwestern corner of Liberty Street and Broadway in the Financial District of Lower Manhattan. Frederick Gilbert Bourne, leader of the Singer Company, commissioned the building, which architect Ernest Flagg designed in multiple phases from 1897 to 1908. The building's architecture contained elements of the Beaux-Arts and French Second Empire styles. The building was composed of four distinct sections. The original 10-story Singer Building at 149 Broadway was erected between 1897 and 1898, and the adjoining 14-story Bourne Building on Liberty Street was built from 1898 to 1899. In the first decade of the 20th century, the two buildings were expanded to form the 14-story base of the Singer Tower, which rose another 27 stories. The facade was made of brick, stone, and terracotta. A dome with a lantern capped the tower. The foundation of the tower was excavated using caissons; the building's base rested on shallower foundations. The Singer Building used a steel skeleton, though load-bearing walls initially supported the original structure before modification. When completed, the 41-story building had a marble-clad entrance lobby, 16 elevators, 410,000 square feet (38,000 m2) of office space, and an observation deck. (Full article...)

    The Singer Building (also known as the Singer Tower) was an office building and early skyscraper in Manhattan, New York City. The headquarters of the Singer Manufacturing Company, was at the northwestern corner of Liberty Street and Broadway in the Financial District of Lower Manhattan. Frederick Gilbert Bourne, leader of the Singer Company, commissioned the building, which architect Ernest Flagg designed in multiple phases from 1897 to 1908. The building's architecture contained elements of the Beaux-Arts and French Second Empire styles.

    The building was composed of four distinct sections. The original 10-story Singer Building at 149 Broadway was erected between 1897 and 1898, and the adjoining 14-story Bourne Building on Liberty Street was built from 1898 to 1899. In the first decade of the 20th century, the two buildings were expanded to form the 14-story base of the Singer Tower, which rose another 27 stories. The facade was made of brick, stone, and terracotta. A dome with a lantern capped the tower. The foundation of the tower was excavated using caissons; the building's base rested on shallower foundations. The Singer Building used a steel skeleton, though load-bearing walls initially supported the original structure before modification. When completed, the 41-story building had a marble-clad entrance lobby, 16 elevators, 410,000 square feet (38,000 m2) of office space, and an observation deck. (Full article...)
  • Image 8 "Over There" is the two-part second season finale of the Fox science fiction drama series Fringe. They are the 21st and 22nd episodes of the season, and the 42nd and 43rd episodes of the series overall. Both parts were written by Academy Award-winning screenwriter Akiva Goldsman, together with showrunners Jeff Pinkner and J. H. Wyman. Goldsman also served as director, his first such credit since the season premiere. Fringe's premise is based on the idea of two parallel universes, our own and the Other Side, each of which contains historical idiosyncrasies. The two universes began to clash in 1985, after Dr. Walter Bishop (John Noble) stole the parallel universe version of his son, Peter, following his own son's death. The finale's narrative recounts what happens when Peter (Joshua Jackson) is taken back to the Other Side by his real father, dubbed "Walternate" (Noble). FBI agent Olivia Dunham (Anna Torv) and Walter lead a team of former Cortexiphan test subjects to retrieve him, after discovering that Peter is an unwitting part of Walternate's plans to bring about the destruction of our universe using an ancient doomsday device. (Full article...)
    "Over There" is the two-part second season finale of the Fox science fiction drama series Fringe. They are the 21st and 22nd episodes of the season, and the 42nd and 43rd episodes of the series overall. Both parts were written by Academy Award-winning screenwriter Akiva Goldsman, together with showrunners Jeff Pinkner and J. H. Wyman. Goldsman also served as director, his first such credit since the season premiere.

    Fringe's premise is based on the idea of two parallel universes, our own and the Other Side, each of which contains historical idiosyncrasies. The two universes began to clash in 1985, after Dr. Walter Bishop (John Noble) stole the parallel universe version of his son, Peter, following his own son's death. The finale's narrative recounts what happens when Peter (Joshua Jackson) is taken back to the Other Side by his real father, dubbed "Walternate" (Noble). FBI agent Olivia Dunham (Anna Torv) and Walter lead a team of former Cortexiphan test subjects to retrieve him, after discovering that Peter is an unwitting part of Walternate's plans to bring about the destruction of our universe using an ancient doomsday device. (Full article...)
  • Image 9 The Million Second Quiz is an American game show that was hosted by Ryan Seacrest and broadcast by NBC. The series aired from September 9 to September 19, 2013. For one million seconds (11 days, 13 hours, 46 minutes, and 40 seconds), contestants attempted to maintain control of a "money chair" by winning trivia matches against other contestants, earning money for every second they occupied the chair. At any given moment, the four highest-scoring contestants other than the one in the chair were sequestered together. When time ran out, the four top scorers received the money they had accumulated and competed in a stepladder playoff for a top prize of $2,000,000. Executive produced by Stephen Lambert, Eli Holzman, and David Hurwitz, The Million Second Quiz was positioned as a live, multi-platform television event, which Lambert dubbed "the Olympics of quiz", that would help to promote NBC's lineup for the 2013–14 television season. The series was cross-promoted through several NBCUniversal properties, and NBC broadcast a live prime time show for each night of the competition (except for September 15, due to Sunday Night Football) and a two-hour finale. Using a mobile app, viewers could play the game against others and potentially earn a chance to appear as a contestant during the prime time episodes. Outside the prime time episodes, the program was also webcast throughout the competition by means of the Million Second Quiz app and NBC.com. (Full article...)
    The Million Second Quiz is an American game show that was hosted by Ryan Seacrest and broadcast by NBC. The series aired from September 9 to September 19, 2013. For one million seconds (11 days, 13 hours, 46 minutes, and 40 seconds), contestants attempted to maintain control of a "money chair" by winning trivia matches against other contestants, earning money for every second they occupied the chair. At any given moment, the four highest-scoring contestants other than the one in the chair were sequestered together. When time ran out, the four top scorers received the money they had accumulated and competed in a stepladder playoff for a top prize of $2,000,000.

    Executive produced by Stephen Lambert, Eli Holzman, and David Hurwitz, The Million Second Quiz was positioned as a live, multi-platform television event, which Lambert dubbed "the Olympics of quiz", that would help to promote NBC's lineup for the 2013–14 television season. The series was cross-promoted through several NBCUniversal properties, and NBC broadcast a live prime time show for each night of the competition (except for September 15, due to Sunday Night Football) and a two-hour finale. Using a mobile app, viewers could play the game against others and potentially earn a chance to appear as a contestant during the prime time episodes. Outside the prime time episodes, the program was also webcast throughout the competition by means of the Million Second Quiz app and NBC.com. (Full article...)
  • Image 10 Plate 21 depicting a male red-capped parrakeet Illustrations of the Family of Psittacidae, or Parrots is an 1832 book containing 42 hand-coloured lithographs by Edward Lear. He produced 175 copies for sale to subscribers as a part-publication, which were later bound as a book. Lear started painting parrots in 1830 when he was 18 years old, and to get material for his book he studied live birds at the London Zoo and in private collections. The latter included those of Edward Smith Stanley, later 13th Earl of Derby, who had a large menagerie at Knowsley Hall, and Benjamin Leadbeater, a taxidermist and trader in specimens. Lear drew onto lithographic plates for printing by Charles Joseph Hullmandel, who was known for the quality of his reproductions of fine art. Although the book was a financial failure, Lear's paintings of parrots established his reputation as one of the best natural history artists of his time. It found him work with John Gould, Stanley and other leading contemporary naturalists, and the young Queen Victoria engaged him to help her with her painting technique. Parrots was a forerunner to the major volumes of bird paintings by Gould, and Lear's work has influenced children's illustrators such as Beatrix Potter and Maurice Sendak as well as bird specialists like William T. Cooper, Elizabeth Butterworth and Walton Ford. (Full article...)

    Plate 21 depicting a male red-capped parrakeet

    Illustrations of the Family of Psittacidae, or Parrots is an 1832 book containing 42 hand-coloured lithographs by Edward Lear. He produced 175 copies for sale to subscribers as a part-publication, which were later bound as a book. Lear started painting parrots in 1830 when he was 18 years old, and to get material for his book he studied live birds at the London Zoo and in private collections. The latter included those of Edward Smith Stanley, later 13th Earl of Derby, who had a large menagerie at Knowsley Hall, and Benjamin Leadbeater, a taxidermist and trader in specimens. Lear drew onto lithographic plates for printing by Charles Joseph Hullmandel, who was known for the quality of his reproductions of fine art.

    Although the book was a financial failure, Lear's paintings of parrots established his reputation as one of the best natural history artists of his time. It found him work with John Gould, Stanley and other leading contemporary naturalists, and the young Queen Victoria engaged him to help her with her painting technique. Parrots was a forerunner to the major volumes of bird paintings by Gould, and Lear's work has influenced children's illustrators such as Beatrix Potter and Maurice Sendak as well as bird specialists like William T. Cooper, Elizabeth Butterworth and Walton Ford. (Full article...)
  • Image 11 There are no contemporaneous portraits of Du Fu; this is a later artist's impression. Du Fu (Chinese: 杜甫; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest. Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)

    There are no contemporaneous portraits of Du Fu; this is a later artist's impression.

    Du Fu (Chinese: 杜甫; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest.

    Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)
  • Image 12 "Donald Trump" is a segment of the HBO news satire television series Last Week Tonight with John Oliver that is devoted to Donald Trump, who later became the president of the United States. It first aired on February 28, 2016, as part of the third episode of Last Week Tonight's third season, when Trump was the frontrunner for the Republican Party nomination for the presidency. During the 22-minute segment, comedian John Oliver discusses Trump's 2016 presidential campaign and his career in business. Oliver outlines Trump's campaign rhetoric, varying political positions, and failed business ventures. The comedian also criticizes Trump for making offensive and false statements, and says the Trump family name was changed at one point from the ancestral name "Drumpf". The satirical segment went viral on YouTube and Facebook. By Super Tuesday on March 1, two days after broadcast, Google searches for "Donald Drumpf" had surpassed those for both Ted Cruz and Marco Rubio, who were then competing against Trump for the Republican Party nomination. In eight days, the segment accumulated 19 million views on YouTube, making it Last Week Tonight's most popular segment there. By the end of March, it had received a combined 85 million views on YouTube and Facebook. (Full article...)
    "Donald Trump" is a segment of the HBO news satire television series Last Week Tonight with John Oliver that is devoted to Donald Trump, who later became the president of the United States. It first aired on February 28, 2016, as part of the third episode of Last Week Tonight's third season, when Trump was the frontrunner for the Republican Party nomination for the presidency. During the 22-minute segment, comedian John Oliver discusses Trump's 2016 presidential campaign and his career in business. Oliver outlines Trump's campaign rhetoric, varying political positions, and failed business ventures. The comedian also criticizes Trump for making offensive and false statements, and says the Trump family name was changed at one point from the ancestral name "Drumpf".

    The satirical segment went viral on YouTube and Facebook. By Super Tuesday on March 1, two days after broadcast, Google searches for "Donald Drumpf" had surpassed those for both Ted Cruz and Marco Rubio, who were then competing against Trump for the Republican Party nomination. In eight days, the segment accumulated 19 million views on YouTube, making it Last Week Tonight's most popular segment there. By the end of March, it had received a combined 85 million views on YouTube and Facebook. (Full article...)
  • Image 13 Barrymore in 1918 John Barrymore (born John Sidney Blyth; February 14 or 15, 1882 – May 29, 1942) was an American actor on stage, screen and radio. A member of the Drew and Barrymore theatrical families, he initially tried to avoid the stage, and briefly attempted a career as an artist, but appeared on stage together with his father Maurice in 1900, and then his sister Ethel the following year. He began his career in 1903 and first gained attention as a stage actor in light comedy, then high drama, culminating in productions of Justice (1916), Richard III (1920) and Hamlet (1922); his portrayal of Hamlet led to him being called the "greatest living American tragedian". After a success as Hamlet in London in 1925, Barrymore left the stage for 14 years and instead focused entirely on films. In the silent film era, he was well received in such pictures as Dr. Jekyll and Mr. Hyde (1920), Sherlock Holmes (1922) and The Sea Beast (1926). During this period, he gained his nickname, the Great Profile. His stage-trained voice proved an asset when sound films were introduced, and three of his works, Grand Hotel (1932), Twentieth Century (1934) and Midnight (1939) have been inducted into the National Film Registry. (Full article...)

    Barrymore in 1918

    John Barrymore (born John Sidney Blyth; February 14 or 15, 1882 – May 29, 1942) was an American actor on stage, screen and radio. A member of the Drew and Barrymore theatrical families, he initially tried to avoid the stage, and briefly attempted a career as an artist, but appeared on stage together with his father Maurice in 1900, and then his sister Ethel the following year. He began his career in 1903 and first gained attention as a stage actor in light comedy, then high drama, culminating in productions of Justice (1916), Richard III (1920) and Hamlet (1922); his portrayal of Hamlet led to him being called the "greatest living American tragedian".

    After a success as Hamlet in London in 1925, Barrymore left the stage for 14 years and instead focused entirely on films. In the silent film era, he was well received in such pictures as Dr. Jekyll and Mr. Hyde (1920), Sherlock Holmes (1922) and The Sea Beast (1926). During this period, he gained his nickname, the Great Profile. His stage-trained voice proved an asset when sound films were introduced, and three of his works, Grand Hotel (1932), Twentieth Century (1934) and Midnight (1939) have been inducted into the National Film Registry. (Full article...)
  • Image 14 17th- or 18th-century Hajj certificate showing the Kaaba within the Masjid al-Haram Hajj: Journey to the Heart of Islam was an exhibition held at the British Museum in London from 26 January to 15 April 2012. It was the world's first major exhibition telling the story, visually and textually, of the hajj – the pilgrimage to Mecca which is one of the five pillars of Islam. Textiles, manuscripts, historical documents, photographs, and art works from many different countries and eras were displayed to illustrate the themes of travel to Mecca, hajj rituals, and the Kaaba. More than two hundred objects were included, drawn from forty public and private collections in a total of fourteen countries. The largest contributor was David Khalili's family trust, which lent many objects that would later be part of the Khalili Collection of Hajj and the Arts of Pilgrimage. The exhibition was formally opened by Prince Charles in a ceremony attended by Prince Abdulaziz bin Abdullah, son of King Abdullah, the custodian of the Two Holy Mosques. It was popular both with Muslims and non-Muslims, attracting nearly 120,000 adult visitors and favourable press reviews. This success inspired the Museum of Islamic Art in Doha, the Arab World Institute in Paris, the National Museum of Ethnology in Leiden, and the Tropenmuseum in Amsterdam to stage their own hajj-themed exhibitions with contributions from the Khalili Collection. (Full article...)

    17th- or 18th-century Hajj certificate showing the Kaaba within the Masjid al-Haram

    Hajj: Journey to the Heart of Islam was an exhibition held at the British Museum in London from 26 January to 15 April 2012. It was the world's first major exhibition telling the story, visually and textually, of the hajj – the pilgrimage to Mecca which is one of the five pillars of Islam. Textiles, manuscripts, historical documents, photographs, and art works from many different countries and eras were displayed to illustrate the themes of travel to Mecca, hajj rituals, and the Kaaba. More than two hundred objects were included, drawn from forty public and private collections in a total of fourteen countries. The largest contributor was David Khalili's family trust, which lent many objects that would later be part of the Khalili Collection of Hajj and the Arts of Pilgrimage.

    The exhibition was formally opened by Prince Charles in a ceremony attended by Prince Abdulaziz bin Abdullah, son of King Abdullah, the custodian of the Two Holy Mosques. It was popular both with Muslims and non-Muslims, attracting nearly 120,000 adult visitors and favourable press reviews. This success inspired the Museum of Islamic Art in Doha, the Arab World Institute in Paris, the National Museum of Ethnology in Leiden, and the Tropenmuseum in Amsterdam to stage their own hajj-themed exhibitions with contributions from the Khalili Collection. (Full article...)
More featured articles
edit 

Featured picture

Still life
Painting credit: Osias Beert
A still life is a work of art depicting inanimate subject matter, typically either natural things such as flowers, dead animals, food, rocks or shells, or man-made objects. As a genre, still-life painting began with Netherlandish painting in the 16th and 17th centuries. The wealthy Dutch Empire's trade enabled the importation of spices, sugar and exotic fruits into the country, and new ingredients such as dates, rice, cinnamon, ginger, nuts, and saffron became available. This oil-on-panel still life from the 1620s by the Flemish artist Osias Beert is entitled Dishes with Oysters, Fruit, and Wine, and includes a rare early depiction of sugar in art. The painting now hangs in the National Gallery of Art in Washington, D.C.
More featured pictures
edit 

Did you know...

Agujjim

More did you know

edit 

In this month

Ichikawa Danjūrō I as Takenuki Goro

More anniversaries
edit 

News

edit 

Featured biography

Priest in Fribourg, c. 1860s

Pierre Rossier was a pioneering Swiss photographer whose albumen photographs, which include stereographs and cartes-de-visite, comprise portraits, cityscapes and landscapes. He was commissioned by the London firm of Negretti and Zambra to travel to Asia and document the progress of the Anglo-French troops in the Second Opium War and, although he failed to join that military expedition, he remained in Asia for several years, producing the first commercial photographs of China, the Philippines, Japan and Siam (now Thailand). He was the first professional photographer in Japan, where he trained Ueno Hikoma, Maeda Genzō, Horie Kuwajirō, as well as lesser known members of the first generation of Japanese photographers. In Switzerland he established photographic studios in Fribourg and Einsiedeln, and he also produced images elsewhere in the country. Rossier is an important figure in the early history of photography not only because of his own images, but also because of the critical impact of his teaching in the early days of Japanese photography. (Full article...)

More featured biographies
edit 

Featured audio

Kyrie eleison
An example of Kyrie eleison being performed as a Gregorian chant, directed by Fr. Dariusz Smolarek SAC.
edit 

Selected quote

Maslow's Hierarchy of Needs
edit 

Categories

edit 

WikiProjects

Parent project

WikiProjects

Descendant projects

What are WikiProjects?
edit 

Related portals

edit 

Things you can do

edit 

Associated Wikimedia

Discover Wikipedia using portals
Retrieved from "https://en.wikipedia.org/w/index.php?title=Portal:The_arts&oldid=1147811344"